Sound designIntermediate2 min read

Designing 808s and basses

What an 808 is

Originally the kick of the Roland TR-808 drum machine: a sine wave with a brief pitch peak and an adjustable decay. Lengthening the decay turns it into a pitched bass, the foundation of trap, drill, rage and a lot of pop.

Anatomy

  • Body: sine (or triangle) wave on the note.
  • Pitch envelope: starts 12–24 semitones above and falls in 20–60 ms: it gives the “click” and the attack.
  • Decay: from 300 ms to several seconds, depending on the rhythm of the pattern.
  • Saturation: adds harmonics (2nd, 3rd…) that make the 808 audible on phones and earbuds, where the fundamental does not reach.

Tuning

The 808 must be tuned to the key. In A minor the typical notes are:

  • A1 = 55 Hz (tonic)
  • F1 = 43.65 Hz (VI)
  • G1 = 49 Hz (VII)
  • C2 = 65.41 Hz (III)
  • E1 = 41.2 Hz (V)

Below about 40 Hz the fundamental is barely heard even on a good system: consider transposing up an octave.

Glide and rhythm

  • Glide (portamento 50–150 ms) in mono legato to slide between notes: a drill signature.
  • The 808 pattern follows or contradicts the kick; often kick and 808 land together on the first hit.

Kick and 808 together

  • Align the phase: the starts of the two waveforms must add up, not cancel.
  • Options: keep only the kick's transient above the 808, or a light sidechain of the 808 from the kick.
  • Everything mono below about 120 Hz.

Example in A minor

Loop Am – F – C – G: 808 on A1, F1, C2, G1, decay of one beat, glide on the last sixteenth note from G1 toward A1 to return to the start of the loop.

Real-world example

“808s & Heartbreak” by Kanye West (2008) moved the TR-808 from the role of drums to that of a melodic and emotional instrument, paving the way for the pitched 808 of modern trap.

Sources

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