The pattern
140 BPM · 4/4 · 32 step
| Instrument | Beat 1 | Step 2 | Step 3 | Step 4 | Beat 2 | Step 6 | Step 7 | Step 8 | Beat 3 | Step 10 | Step 11 | Step 12 | Beat 4 | Step 14 | Step 15 | Step 16 | Beat 5 | Step 18 | Step 19 | Step 20 | Beat 6 | Step 22 | Step 23 | Step 24 | Beat 7 | Step 26 | Step 27 | Step 28 | Beat 8 | Step 30 | Step 31 | Step 32 |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Kick | hit | rest | rest | rest | rest | rest | rest | hit | rest | rest | hit | rest | rest | rest | rest | rest | hit | rest | rest | rest | rest | rest | rest | rest | rest | rest | hit | rest | rest | rest | hit | rest |
| 808 | hit | rest | rest | rest | rest | rest | rest | hit | rest | rest | hit | rest | rest | rest | rest | rest | hit | rest | rest | rest | rest | rest | rest | rest | rest | rest | hit | rest | rest | rest | hit | rest |
| Snare | rest | rest | rest | rest | rest | rest | rest | rest | hit | rest | rest | rest | rest | rest | rest | rest | rest | rest | rest | rest | rest | rest | rest | rest | hit | rest | rest | rest | rest | rest | rest | rest |
| Clap | rest | rest | rest | rest | rest | rest | rest | rest | hit | rest | rest | rest | rest | rest | rest | rest | rest | rest | rest | rest | rest | rest | rest | rest | hit | rest | rest | rest | rest | rest | rest | rest |
| Rim shot | rest | rest | rest | hit | rest | rest | hit | rest | rest | rest | rest | rest | rest | rest | rest | rest | rest | rest | rest | hit | rest | rest | hit | rest | rest | rest | rest | rest | rest | rest | rest | rest |
| Closed hi-hat | hit | rest | hit | rest | hit | rest | hit | rest | hit | rest | hit | rest | hit | hit | hit | hit | hit | rest | hit | rest | hit | rest | hit | rest | hit | hit | hit | rest | hit | rest | hit | hit |
How to play it and where it comes from
Half-time trap (130–150) with a Latin aesthetic (Bad Bunny, Anuel AA, Ozuna in the 2016–2018 period): clap and snare on 3, long, dark 808s that follow the kick. The Latin touch comes from a rim/perc hinting at the dembow (3-3-2) in the first half of the bar and from melodies in harmonic minor/Phrygian. Hi-hats with triplet rolls. Variants: switch to full dembow in the chorus, rim replaced by a sampled bongo, 808 with slides.