Latin130 BPM4/4Genre: Bossa nova

Bossa nova

The pattern

130 BPM · 4/4 · 32 step
InstrumentBeat 1Step 2Step 3Step 4Beat 2Step 6Step 7Step 8Beat 3Step 10Step 11Step 12Beat 4Step 14Step 15Step 16Beat 5Step 18Step 19Step 20Beat 6Step 22Step 23Step 24Beat 7Step 26Step 27Step 28Beat 8Step 30Step 31Step 32
Kickhitrestrestrestrestresthitresthitrestrestrestrestresthitresthitrestrestrestrestresthitresthitrestrestrestrestresthitrest
Rim shothitrestrestrestrestresthitrestrestrestrestresthitrestrestrestrestrestrestresthitrestrestrestrestresthitrestrestrestrestrest
Closed hi-hathitresthitresthitresthitresthitresthitresthitresthitresthitresthitresthitresthitresthitresthitresthitresthitrest
Shakerhithithithithithithithithithithithithithithithithithithithithithithithithithithithithithithithit

How to play it and where it comes from

Bossa nova (Rio, late 1950s: João Gilberto, Jobim): the cross-stick (rim) plays the "bossa clave" over two bars (1, the "and" of 2, 4 | 2, the "and" of 3), which differs from the son clave in having its last hit displaced. The soft kick plays 1, the "and" of 2, 3, the "and" of 4 (a dotted eighth-sixteenth figure derived from the surdo), doubling the bass, which moves between root and fifth. Hi-hat or brushes in eighths, very light shaker in sixteenths. Low dynamics, everything very intimate. Variants: reversed clave (starting from the "2" bar), circular brushes in place of the hi-hat. Tempo 100–160 per quarter note, often around 120–140.

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